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'Detour'

24/5/2017

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In cinemas now in the USA and on May 26th in the UK!
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“Know the rule of law and you can bend it.”
 
After hearing this in the opening couple of minutes, I thought I was in for a treat. What I ended up with was the biggest disappointment since England last played in a major tournament. And like then, perhaps it was my fault for reading too much into what seemed like a hopeful and intelligent start.
 
'Detour' is about young law student Harper (Tye Sheridan) asking career criminal Johny Ray (Emory Cohen) to bump off his stepfather (Stephen Moyer) whom he blames for an accident that has left his mother in a coma. This sounds like an interesting concept in itself, and the opening quote teases all kinds of interesting games for Harper to try and get away with it. Unfortunately as soon as the plot moves forward it pretty much derails.
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Very early on, writer director Christopher Smith splits the narrative in two, following two versions of the story based on what Harper has chosen to do at a particular moment. Again another promising idea, even if it has been done before, (most notably in 'Sliding Doors') but the film wastes the opportunity. It neither offers us contrasting narratives, nor does it allow the two timelines to play off of one another. Instead we are giving two slightly different variations of nonsense. It all then plays out in a way that takes away any weight that the moment of this choice could have had, Rendering the whole concept pointless.
 
The single biggest problem with this film is that no character has an ounce, of competence. Their decision making is far worse than my own, back in my heavy drinking days. The villains are too stupid to be a threat and the heros aren’t relatable enough to empathise with. It’s one thing to have characters that are led astray because of a personal flaw they have to work against but here there is nothing but unfathomable stupidity, which could have been funny if the film hadn’t taken itself so seriously. I’d have to enter into spoiler territory to really make it clear how idiotic everyone is in the film. From talking openly and loudly in public places about killing, to leaving incriminating notes in cafés when the police are there. They always end up in trouble with their stupidity, only to get bailed out for plot convenience. 
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The cast seem to be trying their best, but are done no favours by a poor script. Cohen offers some fire to the role of Johnny. But I don’t believe for a moment he is capable of committing any crimes without being caught. Any potential menace is lost through the characters moronic actions. Tuco from 'Breaking Bad' is perhaps the best reference point here, showing the difference between a loose cannon, and an idiot.

Sheridan is caught in just as much of a no win situation, I also cannot believe that Harper is able to get into law school. It’s a shame that he is incapable of using his brain, or knowledge of law to get out of any of the sticky situations and it was baffling the way he tried to cover his tracks when any kind of understanding of the law (or how to bend it) would have been enough to solve his problems. The audience seemed to take more notice of the opening lines than he did. The amount that he cares for his mother (which was apparently his motivation behind getting into this situation in the first place) gets completely forgotten in the mix.

​Bel Powley also stars as Cherry. Who only seems to be in the film as a damsel in distress. Everything about the character sums up why female characters need to be written better. She is a stripper, often wearing little and is in need of being saved. None of these factors seem to add anything to the plot, she is given no personality and there is no rational reason why Johnny would have brought her along for the ride.
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I have never walked out of a film before, but the only reason I watched all the way till the end is because of needed to review the whole film. I hoped for something positive to be able to conclude with, but somehow the third act was even worse than everything that had come before. Not a single thread was resolved with any satisfaction. None of the pay offs were earned and it all comes together in the most contrived of fashions and the worst case of a Deus Ex Machina that I have seen for a very long time.
 
The best note I can end on is knowing there is no World Cup this year.
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Review By Chris Smallwood.
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'Lady Macbeth'

23/5/2017

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Out Now!
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Don’t you just love it when a film surprises you? And I don’t mean a random cameo near the end, but a full on whack-over-the-head surprise in regards to plot and character development. That’s what 'Lady Macbeth' has in store for you. Let me set the scene.

The year is 1865. Somewhere in rural England Katherine (Florence Pugh) is married off to the son of the man who bought her alongside some land that apparently couldn’t feed a cow. Her husband doesn’t desire her and Katherine is forced to live out her life indoors with nothing to do. When her totalitarian father-in-law and husband take extensive leave from their home Katherine starts to come out of her shell. Coming to the rescue of one of her maids who had been assaulted by male grounds workers, Katherine takes a shine to the leader of the gang, Sebastian. A steamy affair ensues with Katherine’s adultery being her least offending infraction on her way to getting what she wants.
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'Lady Macbeth' would not be the surprising crowd pleaser it is without the captivating presence of lead Florence Pugh. She delivers an outstanding nuanced and subtle performance. Witnessing Katherine’s slow awakening and, by the end of the film, full on embrace of everything she is and is willing to do is a marvel to behold. This is Pugh’s first lead role and the entire film rests solely on her shoulders, yet she carries this responsibility with the natural confidence of more seasoned actresses. This young woman is one to keep an eye on.

Cosmo Jarvis does a decent job as Sebastian, but it is Naomi Ackie’s maid Anna who is the real counterpoint to Pugh’s Katherine. These two women tear up the screen whenever they’re in a scene together.

The production design and cinematography perfectly underline the bland existence Katherine is forced into. You hardly notice how the visual presentation influences your mood while watching her living her so called life. She is not even a bird in a golden cage. She’s a bird stuck inside an oxygen deprived house with all exits shut. The claustrophobia was so unbearable that I even forgave her falling for a man who assaults women. On the one hand I was grateful we didn’t have to witness this on screen, on the other I feel this was immediately dismissed as it would have influenced the audience more against Sebastian, who ends up being Katherine’s conscience. Conveniently inconsistent. That didn’t sit well with me at all.
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Katherine’s story comes full circle as she smothers the last obstacle in her way, as she was smothered by life, her husband and father-in-law. Taking that final leap past her point of no return she emerges out of her cocoon a new woman. A beautiful butterfly. A deadly one. 
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The performances alone are enough to recommend this film. But when a film manages to play with your perceptions in the vain of 2005’s 'Hard Candy' it makes you think as well as enjoy what you see unfold before your eyes. And it is equally shocking, breath-taking and horrendous. Highly recommended. 
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Review by Melanie Radloff.
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Rate the film and why not write your own review in the comments?
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'Pirates of the Caribbean: Salazar's Revenge'

23/5/2017

1 Comment

 
In cinemas May 25th!
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After the disappointment that was 'Pirates of the Caribbean - Stranger Tides', expectations were low for Disney’s latest instalment in the gold coin raining franchise. But nothing will stop everyone and their dog (or monkey) from seeing the shenanigans infamous Captain Jack Sparrow is up to this time. No matter the ridiculousness of the plot, the non-existence of character development, the predictability of the dialogue or the cameo checklist, audiences will run cinema doors in to see this.

If you’re still interested in hearing my thoughts, let me set the scene: Henry, Will Turner’s son, wants to free his father from the curse of the Flying Dutchman (see previous films) and calls upon Jack Sparrow for help. Together with witch (though just academically inclined) Carina they must find the Trident of Poseidon, which grants its possessor total control over the seas, before it falls into the hands of Captain Salazar, yet another one of Sparrow’s nemeses.
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The usual suspects return with new additions Javier Bardem as Salazar, Brenton Thwaites as Henry Turner and Kaya Scodelario as Carina.

Highlight of the film, as always, is Johnny Depp as Captain Jack Sparrow. He gets a grand entrance (albeit nothing can top his very first introduction in Curse of the Black Pearl) and the crazy spiel unfolds before our eyes. A ridiculous action chase sequence is an entertaining opener to Salazar’s Revenge. If you are immediately reminded of the first instalment I don’t blame you. Salazar’s Revenge does what The Force Awakens did so well, use the script of the beloved first one and change a few things around but keep the structure intact. Unfortunately for Salazar’s Revenge, its new characters are not remotely as interesting or captivating, so the film feels like a lukewarm infusion of the impeccably entertaining ride that was Curse of the Black Pearl. The lack of character evolution, especially in regards to Jack Sparrow, keeps Salazar’s Revenge from reaching any new heights. You feel you’ve seen all of this before, because you have. Only then it was fresh and entertaining. Now it’s like munching on stale biscuits.
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Javier Bardem doesn’t break any new ground. He is channelling his Bond villain persona in a period costume on the high seas. Like every other Sparrow nemesis before him, he is a victim of the supernatural and wants to make Sparrow pay. Only difference, Salazar isn’t a pirate but a pirate hunter. Everything else, the same.

The film looks great, the CGI is state of the art, but deep down it is missing a soul. Superficial beauty with no charm or personality. And the few scenes that were a hoot to watch lost their impact because I had seen them dozens of times in the trailers or the promo footage playing before 'Guardians of the Galaxy Vol.2'.

None of this would matter as much if the characters were more interesting. I did not care about any of them. How is that even possible? Even Jack Sparrow. He is the same Jack we have seen in Curse of the Black Pearl and all subsequent films. He hasn’t evolved. While that might be entertaining to some, I can’t help but be bored. With some funny bits splashed here and there, Salazar’s Revenge still manages to entertain. Good action sequences, a few character highlights and a tongue in cheek approach help elevate the film.
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Overall I wasn’t disappointed, my expectations were THAT low. Despite all of the above Salazar’s Revenge is a decent blockbuster. Better than its direct predecessor but it still fails to capture the brilliance of the original. Entertaining in places, this latest iteration of the Pirates of the Caribbean franchise tries to regain former glory but manages to be merely a lukewarm copy.
If you can, stay for a post credits scene.
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Review by Melanie Radloff.
Tell us what you think!
Rate the film and why not write your own review in the comments?
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